[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fTDXXWfljQG75j2CAqBsilyyBz14cxdpITtDCQqTBj0M":3,"$fte3r8MNL4_9Vo-Kde6lmVIbdu2F_MCbw0H1MmV1m1v8":241},{"id":4,"alias":5,"titel":6,"kategorie":7,"spielzeit":9,"content":10,"teaser":11,"images":12,"mitwirkende":132,"besetzung":188,"presse":226},1127,"creative-dialogues","Creative Dialogues",[8],"Tanztheater",2025,"\u003Cp>\u003Cstrong>Tanzabend von Steffen Fuchs und Annett Göhre \u003C\u002Fstrong>\u003C\u002Fp>\r\n\u003Cp>Rund 300 Kilometer Luftlinie trennen Ulm und Koblenz, doch in diesem Stück rücken die beiden Städte künstlerisch nah zusammen. \u003Ca href=\"https:\u002F\u002Ftheater-koblenz.de\u002Fmitarbeitende\u002Fsteffen-fuchs\u002F\">Steffen Fuchs\u003C\u002Fa>, Ballettdirektor am Theater Koblenz, und die Ulmer Tanztheaterdirektorin \u003Ca href=\"https:\u002F\u002Fwww.theater-ulm.de\u002Ftheater\u002Fensemble\u002Fperson\u002Fannett-goehre\">Annett Göhre\u003C\u002Fa> wagen ein Experiment.\u003C\u002Fp>\r\n\u003Cp>Beide entwickeln eine eigene Choreografie und proben diese mit ihrer Compagnie sowie dem jeweils anderen Ensemble. Über ihre tänzerischen Visionen sind sie beständig im Austausch.\u2028\u2028\u003C\u002Fp>\r\n\u003Cp>Die daraus entstehenden »Creative Dialogues« — kreativen Dialoge — werden in Ulm und Koblenz beinahe zeitgleich zur Aufführung gebracht und von der jeweiligen Compagnie gezeigt.\u003C\u002Fp>\r\n\u003Cp>Optisch verklammert durch die Ausstattung von \u003Ca href=\"https:\u002F\u002Fwww.theater-ulm.de\u002Ftheater\u002Fensemble\u002Fperson\u002Fsascha-thomsen\">Sascha Thomsen\u003C\u002Fa>, nehmen beide Choreografien das Wechselspiel von Nähe und Distanz, den dynamischen Prozess zwischen Verschmelzen und Ausloten von Grenzen in den Blick.\u003Cbr \u002F>\u2028Als Impuls und Inspiration dafür dient eines der außergewöhnlichsten Künstlerpaare überhaupt: Simone de Beauvoir und Jean-Paul Sartre. Als Philosophen forderten sie einander heraus, waren in einem ständigen Dialog über ihr Denken und Schreiben – und lebten gleichzeitig 51 Jahre lang eine aufsehenerregende Liebe, deren Spielregeln sie selbst festlegten.\u003C\u002Fp>\r\n\u003Cp>In Kooperation mit dem \u003Ca href=\"https:\u002F\u002Ftheater-koblenz.de\u002F\">Theater Koblenz\u003C\u002Fa>\u003C\u002Fp>\r\n\u003Cp>\u003Cimg src=\"https:\u002F\u002Fapi.theater-ulm.de\u002Fimages\u002Flogos\u002Ftheater_koblenz.jpg\" alt=\"theater koblenz\" width=\"298\" height=\"32\" style=\"font-family: inherit; font-size: 1rem;\" \u002F>\u003C\u002Fp>\r\n\u003Cp>\u003Cstrong>Einführung vor Vorstellung 19.00 Uhr\u003C\u002Fstrong>\u003C\u002Fp>\r\n\u003Cp>\u003Cstrong>Dauer ca. 90 Minuten (inklusive einer Pause)\u003C\u002Fstrong>\u003C\u002Fp>\r\n\u003Cp>\u003Cstrong>Uraufführung\u003C\u002Fstrong>\u003Cbr \u002F>Donnerstag, 30. April 2026, 19.30 Uhr, Großes Haus\u003C\u002Fp>\r\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fwww.theater-ulm.de\u002Fspielplan\u002Fstuecke\u002Fmatinee-creative-dialogues\">\u003Cstrong>Matinée\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr \u002F>Sonntag, 19. April 2026, 11.00 Uhr, Großes Haus\u003C\u002Fp>\r\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fwww.theater-ulm.de\u002Fspielplan\u002Fstuecke\u002Foeffentliche-buehnenprobe-creative-dialogues\">\u003Cstrong class=\"false\">Öffentliche Bühnenprobe\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr class=\"false\" \u002F>Samstag, 18. April 2026, 11.15 Uhr, Treffpunkt Bühnenpforte\u003C\u002Fp>\r\n\u003Cp>\u003Cstrong>Altersfreigabe \u003C\u002Fstrong>[12+]\u003C\u002Fp>\r\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Flive\u002Fy6DSJJorvJE\">\u003Cspan style=\"color: #ff0000;\">\u003Cstrong>Livestream zur Derniere heute Abend 19.30 Uhr auf Youtube\u003C\u002Fstrong>\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fp>\r\n\u003Cp>\u003Cimg src=\"https:\u002F\u002Fapi.theater-ulm.de\u002Fimages\u002Flogo_theaterfreunde.png\" alt=\"logo theaterfreunde\" width=\"161\" height=\"161\" \u002F>\u003C\u002Fp>\r\n\u003Cp>Mit freundlicher Unterstützung der »Freunde & Förderer des Ulmer Theaters e.V.« und Peter Liebchen\u003C\u002Fp>\r\n\u003Cp>Aufführungsrechte: Yvonne Desportes: La Foire aux croûtes © Max Eschig, Paris, vertreten durch G. Ricordi & Co. Bühnen- und Musikverlag GmbH, Berlin\u002F\u002F Elsa Barraine: Hommage a Paul Dukas © Certosa Verlag\u002F\u002F Edgard Varese: Ionisation © Casa Ricordi Srl. 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González","alba-perez-gonzalez",{"vorname":212,"name":213,"rolle":141,"alias":152},"Emily","Pflumm",{"vorname":215,"name":216,"rolle":192,"alias":217},"Magnum","Phillip","magnum-phillip",{"vorname":219,"name":220,"rolle":205,"alias":221},"Maya","Mayzel","maya-mayzel",{"vorname":223,"name":224,"rolle":192,"alias":225},"Tsung-Jui","Yang","tsung-jui-yang",[227,230,232,235,238],{"text":228,"autor":229,"link":141},"[E]in Experiment,\r\ndas im Tanzbetrieb\r\nziemlich einmalig sein dürfte.","Claus Ambrosius \u002F\u002F Rhein Zeitung",{"text":231,"autor":229,"link":141},"So ist ›Creative Dialogues‹ kein\r\nbiografisches Ballett, sondern eine\r\nReflexion über das Zusammensein\r\nselbst – und das Produkt einer\r\nKünstlerfreundschaft, die sich\r\nwortlos tanzend in zwei unterschiedlichen\r\nSprachen artikuliert\r\nund doch versteht.",{"text":233,"autor":234,"link":141},"Am Beispiel von Beauvoir und\r\nSartre haben Göhre und Fuchs globale Themen gefunden: das Spannungsfeld von\r\nFreiheit und Bindung etwa, Utopie und Enttäuschung, Selbst und\r\nSelbstinszenierung, kreativem Eigensinn und künstlerischer Neugier. Die\r\nTanzstücke werfen universelle Fragestellungen auf. Auf völlig unterschiedliche\r\nWeise.","Kristina Schmidl \u002F\u002F Südwest Presse",{"text":236,"autor":237,"link":141},"Die stärksten Szenen in Steffen Fuchs’\r\nChoreografie sind jene, die eine nahe Paarbeziehung mit den\r\ngleichzeitigen wilden Ausbrüchen in die emotionalen und\r\nsexuellen Abenteuer mit Dritten erzählen, auch den Kampf eines\r\nPaares um Beziehung mit diesem Dritten.","Dagmar Hub \u002F\u002F Neu-Ulmer Zeitung",{"text":239,"autor":240,"link":141},"Die ›Creative Dialogues‹ im Ulmer Theater sind\r\neigentlich ein handlungsloser Ballettabend, aber man erfährt hier viel über das Konzept einer offenen Beziehung, über\r\nbindungslose Liebe oder Eifersucht. Noch mehr aber über Freundschaft und Vertrauen, die tröstlichen und hoffnungsvollen\r\nBilder überstrahlen alle komplizierten Zweier- oder Dreierbeziehungen.","Angela Reinhardt \u002F\u002F Reutlinger Generalanzeiger",[]]