[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fAy6YT7xwoyB0BIDRo_YDNELzE6G-a4ktdHEc-FBDpWA":3,"$fR8HOr3VIYXeCUBytpQE0gYowKpZamUGzFCqL86wfPQE":276},{"id":4,"alias":5,"titel":6,"kategorie":7,"spielzeit":9,"content":10,"teaser":11,"images":12,"mitwirkende":154,"besetzung":220,"presse":264},1123,"giselle","Giselle",[8],"Tanztheater",2025,"\u003Cp>\u003Cstrong>Ballett in zwei Akten in der Choreografie von Annett Göhre\u003Cbr \u002F>Musik von Adolphe Adam\u003Cbr \u002F>Bearbeitung und Herausgabe von Peter March\u003C\u002Fstrong>\u003C\u002Fp>\r\n\u003Cp>Es ist eines der berühmtesten Ballette überhaupt: »Giselle«. Die Geschichte um die junge Frau, welche Albrecht liebt und an gebrochenem Herzen stirbt, als sie erfährt, dass er einer anderen versprochen ist, bewegte Generationen von Ballettzuschauerinnen und -zuschauern. Die jugendliche Leidenschaft endet fatal, doch Giselle existiert weiter: als Geisterwesen in der Welt der sagenumwobenen Wilis.\u003C\u002Fp>\r\n\u003Cp>Künftig steigt Giselle des Nachts als eine der rastlosen Seelen empor, welche vor ihrer Heirat starben und jeden, der ihnen begegnet, in einem Rausch des Tanzes ins Verderben stürzen. Wird es auch Albrecht treffen?\u003C\u002Fp>\r\n\u003Cp>Die Wahnsinnsszene der Giselle am Ende des ersten Aktes ist legendär. Tanztheaterdirektorin Annett Göhre entwirft ihre eigene Bildwelt zu dem 1841 in Paris uraufgeführten Meisterwerk und fragt nach dem emanzipatorischen Gehalt der Wilis, die sich für ihren erlittenen Liebesbetrug — tanzend — an den Lebenden rächen. Die farbenreiche Musik Adolphe Adams wird live vom Philharmonischen Orchester der Stadt Ulm gespielt: ein romantisches, fantasievolles Tanzerlebnis.\u003C\u002Fp>\r\n\u003Cp>\u003Cem>30 Minuten vor jeder Vorstellung gibt es eine Einführung durch Tanztheaterdirektorin Annett Göhre im Oberen Foyer.\u003C\u002Fem>\u003C\u002Fp>\r\n\u003Cp>\u003Cstrong>Uraufführung\u003C\u002Fstrong>\u003Cbr \u002F>Freitag, 17. Oktober 2025, 19.30 Uhr, Großes Haus\u003C\u002Fp>\r\n\u003Cp>\u003Cstrong>Einführung\u003C\u002Fstrong>\u003Cbr \u002F>30 Minuten vor jeder Vorstellung, Oberes Foyer\u003C\u002Fp>\r\n\u003Cp>\u003Cstrong>Matinée\u003C\u002Fstrong>\u003Cbr \u002F>Sonntag, 28. September 2025, 11.00 Uhr, Großes Haus\u003C\u002Fp>\r\n\u003Cp>\u003Cstrong>Öffentliche Bühnenprobe\u003C\u002Fstrong>\u003Cbr \u002F>Samstag, 11. Oktober 2025, 10.45 Uhr, Treffpunkt Bühnenpforte\u003C\u002Fp>\r\n\u003Cp>\u003Cstrong>Vis-à-Vis\u003C\u002Fstrong>\u003Cbr \u002F>Sonntag, 23. 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photography",{"full":149,"width":17,"height":150,"credits":147},"https:\u002F\u002Fassets.theater-ulm.de\u002Fgalerie\u002Fstuecke\u002Ft_giselle\u002Fflaviamash_photography(95von622).jpg",2701,{"full":152,"width":17,"height":97,"credits":153},"https:\u002F\u002Fassets.theater-ulm.de\u002Fgalerie\u002Fstuecke\u002Ft_giselle\u002Fflaviamash_photography(98von622).jpg","Nora Paneva, Maya Mayzel, Tsung-Jui Yang | Foto: flaviamash photography",[155,160,165,169,173,178,183,187,192,197,202,206,209,213,216],{"vorname":156,"name":157,"funktion":158,"alias":159},"Panagiotis","Papadopoulos","Musikalische Leitung","panagiotis-papadopoulos",{"vorname":161,"name":162,"funktion":163,"alias":164},"Annett","Göhre","Choreografie & 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19.12.2026",{"vorname":240,"name":241,"rolle":242,"alias":243},"Casey","Hess","Hilarion","casey-hess",{"vorname":245,"name":246,"rolle":224,"alias":247},"Seungah","Park","seungah-park",{"vorname":249,"name":250,"rolle":251,"alias":252},"Nora","Paneva","Myrtha, Königin der Wilis","nora-paneva",{"vorname":249,"name":250,"rolle":224,"alias":252},{"vorname":245,"name":246,"rolle":255,"alias":247},"Bathilde",{"vorname":257,"name":258,"rolle":259,"alias":260},"Alba","Pérez González","Berthe, Giselles Mutter","alba-perez-gonzalez",{"vorname":227,"name":228,"rolle":224,"alias":229},{"vorname":222,"name":223,"rolle":263,"alias":225},"Giselles Freundin",[265,269,273],{"text":266,"autor":267,"link":268},"Der Spitzentanz ist zurück auf der Bühne des Theaters Ulm. Ballettchefin Annett Göhre\r\ninszeniert Adolphe Adams 1841 uraufgeführtes klassisches Ballett ›Giselle‹ im Großen Haus\r\n– hervorragend getanzt und optisch so schön in der Ausstattung von Annett Hunger, dass das Publikum am Ende minutenlang stehend applaudiert.","Dagmar Hub \u002F\u002F NUZ","https:\u002F\u002Fwww.augsburger-allgemeine.de\u002Fkultur\u002Fballett-kritik-so-frisch-wirkt-der-klassiker-giselle-am-theater-ulm-112582807",{"text":270,"autor":271,"link":272},"Die Protagonisten sind vorzüglich besetzt, die naturgemäß simple Geschichte ist klar und märchennett erzählt, so flötenweich und walzerverspielt wie das Orchester den Tanzboden auslegt, um dann auch mit Bläserattacke dramatisch zu werden. Wie eine Gruppe aus Porzellan beginnen die Figuren erstarrt und lösen sich ins Spiel.","Jürgen Kanold \u002F\u002F Südwest Presse","https:\u002F\u002Fwww.swp.de\u002Fkultur\u002Ftheater-ulm-nachtkritik-bejubele-premiere-des-ballettabends-giselle-78385067.html",{"text":274,"autor":275,"link":195},"Annett Göhre und das\r\nwunderbare Ensemble nehmen uns hinein in das bewegte Leben, in Leidenschaft und\r\nLiebe, in Erwartung und Enttäuschung, in Versprechen und Versagen, in Rache und\r\nVergebung und am Ende in ein Totenreich in welchem die menschlichen Sehnsüchte\r\nnur allzu langsam verblassen. Ein beglückender Abend!","Leserbrief \u002F\u002F Südwest Presse",[]]